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A&S Faculty and Students Play Key Roles in This Year’s Virginia Film Festival

Oct 15, 2020 |

Despite the challenges posed by the pandemic, the 33rd annual Virginia Film Festival opens today, featuring a virtual program of more than 50 films and events over five days. This year's festival includes several drive-in movies for a safe and socially distanced movie viewing experience. The schedule also includes recorded panel discussions with special guests, including actress Annette Bening, who stars in the upcoming film “Death on the Nile”; Tony and Grammy Award-winning performer Leslie Odom, Jr.; and actors Ethan Hawke and Linda Hamilton. Arts & Sciences faculty will also play key supporting roles, introducing films and moderating many of the panel discussions that will following Festival screenings. This year’s Festival also features the work of four A&S students whose films will be showcased in a collection of shorts by young Virginia filmmakers.

Most of the festival’s films and pre-recorded discussions and conversations with special guests will be available for viewing at any time from October 21-25. For ticket information and a complete list of films and events, visit the VFF website.

Here is a list of scheduled VFF appearances by Arts & Sciences faculty and students:

Aleksi

After returning home from college to live with her parents, 28-year-old Aleksi struggles to fight off her boredom as she searches for a job as a photographer. Shot entirely on the beautiful Croatian coast, this indie-style dramedy tackles the topic of “the second coming of age” and the challenge of figuring out life goals on the brink of one’s thirties. Introduction by Stan Stepanic (Slavic Languages & Literatures).


Alice

Charlottesville filmmaker Eduardo Montes-Bradley sits down with composer, conductor and teacher of choral music, Alice Parker, in this intimate portrait of a true musical pioneer and her lasting impact on choral music and all the people who experience it. Parker shares stories of her remarkable 70-year career, clearly demonstrating her boundless passion for music, for life and for kindness. A discussion with director Eduardo Montes-Bradley and subject Alice Parker, moderated by Michael Slon (Music), follows.


Virginia Student Shorts Block

A collection of short films by young filmmakers from Virginia, featuring the work of students of Arts & Sciences Phineas Alexander, Jay Pendarvis Jr., Kim Salac and Sarah Wimbish.


A Conversation on Netflix’s Athlete A

Directors Bonni Cohen and Jon Shenk discuss their process in creating Netflix documentary Athlete A, a thorough investigation of decades-long systemic abuse and institutionalized corruption within the world of gymnastics. This harrowing documentary sheds light on the horrific sexual abuse of hundreds of young athletes by USA Gymnastics team doctor Larry Nassar. A discussion with directors Bonni Cohen and Jon Shenk, moderated by Bonnie Hagerman (Women, Gender & Sexuality Studies), follows.


A Conversation on Showtime’s The Good Lord Bird

Actor, writer, director and four-time Academy Award nominee Ethan Hawke will be joined by award-winning author James McBride for a conversation about “The Good Lord Bird,” the new Showtime series based on McBride’s book of the same title in which Hawke portrays abolitionist John Brown. The conversation, moderated by William Little (Media Studies), will also include Joshua Caleb Johnson, who co-stars in the series, executive producer and showrunner Mark Richard, and costume designer Amy Andrews Harrell.


Feels Good Man

In November 2016, an unprecedented election cycle had exposed a seismic cultural rift, and to many, the United States suddenly felt like a much different place. For underground cartoonist Matt Furie, that sensation was even more surreal. Throughout the course of the election, his comic creation Pepe the Frog, had unwittingly become a grotesque political pawn, venerated by domestic terrorists and racist organizations. This documentary feature explores this unexpected cultural rift and offers a vivid, moving portrait of an artist battling to regain control of his vandalized creation. A discussion with director Arthur Jones and producer Giorgio Angelini, moderated by Siva Vaidhyanathan (Media Studies), follows.

(Supported by UVA’s Deliberative Media Lab)


Filmfarsi

“Filmfarsi,” a term jokingly coined by critics referring to the rowdy and melodramatic genre films made in Iran from the early 1950s to 1979, reflects on a flourishing film industry which has virtually been erased since the Iranian Revolution. This documentary uncovers a cinema of stereotypical characters, melodramatic plots, and campy song and dance routines which presented a troubling mirror for the country as Iran struggled to reconcile its religious traditions with the turbulence of modernity and Western influences. Discussion with director Ehsan Khoshbakht, moderated by Samhita Sunya (Middle Eastern and South Asian Languages and Cultures), to follow.

(Filmfarsi is part of the Middle Eastern & South Asian Film Series supported by UVA Arts Council and UVA’s Department of Middle Eastern & South Asian Languages & Cultures)


Fish & Men

With over 90% of American seafood imported from other countries, most consumers are blissfully ignorant of the grave threat the global seafood trade poses to local fishing communities and public health. In response to this, a movement of local communities, pioneering fishers, and celebrated chefs work to reinvent the model of demand to provide locally sourced, safe fish to seafood lovers. This informative documentary asks viewers if they really know where their food comes from while revealing the importance of supporting local food economies. A discussion with directors Adam Jones and Darby Duffin, and subject Russell Sherman, moderated by Paul Freedman (Politics), follows.


The Giverny Document (Single Channel)

Through audacious formal experimentation, filmmaker and artist Ja’Tovia Gary unleashes an arsenal of techniques and materials, including direct animation on archival 16mm film, cinema vérité, and montage editing to explore the creative virtuosity of Black femme performance while interrogating the histories of those bodies and lives as spaces of forced labor and commodified production. Filmed on location in Harlem, and in Claude Monet’s historic gardens in Giverny, France, this documentary offers a multi-textured cinematic poem that meditates on the safety and bodily autonomy of Black women. A discussion with director Ja’Tovia Gary, moderated by Kevin Everson (Art), to follow.


God $ Green: An Unholy Alliance

(A short film that screens before Fish & Men)

God $ Green: An Unholy Alliance uncovers decades of religious polarization, political propaganda, corporate deal-making, and environmental injustice rooted in systemic racism. A discussion with director Jeanine Butler, Professor of Religion and Africana Studies at University of Pennsylvania Dr. Anthea Butler, and Professor of History at the University of Notre Dame Dr. Darren Dochuk, and moderator Kurtis Schaeffer (Religious Studies) follows.


Good Ol Girl

GOOD OL GIRL follows three young Texas cowgirls tasked with carrying on their families’ legacies amidst a volatile landscape and industry. The film explores the modern western United States, a place where the male cowboy mythology must answer to a new, honest and provocative female story. A discussion with director Sarah Brennan Kolb and subject Mandy Dauses, moderated by Allison Pugh (Sociology), to follow.


Hamtramck, USA

Hamtramck, Michigan, is a city built by immigrants. Once a town that was 90% Polish, it became the first Muslim majority city in America. Now, this new wave of immigrants seeks to gain representation in city hall. Focusing on three individuals’ campaigns during one election season, this documentary highlights the ability of candidates to build support, coalitions and partnerships across ethnic and religious lines while highlighting the lives, celebrations and cultures of those calling Hamtramck home. A discussion with directors Justin Feltman and Razi Jafri and moderated by Shilpa Davé (Media Studies) follows.


Lago Gatún

Lago Gatún is the story of a journey through the Panama Canal. Introduction by director Kevin Everson (Art).


Nasir

In the town of Tamil Nadu in India, a small Muslim community lives alongside the town’s Hindu population. Nasir is a Muslim family man who struggles to make ends meet for mother Fatima, wife Taj and nephew Iqbal who live with him in a closely populated ghetto. Director Arun Karthick brings audiences fully into Nasir’s everyday world where the threat of violence hangs always in the periphery. A discussion with producer Mathivanan Rajendran, moderated by Aswin Punathambekar (Media Studies), follows.

(Nasir Is part of the Middle Eastern & South Asian Film Series supported by UVA Arts Council and UVA Department of Middle Eastern & South Asian Languages & Cultures)


Negra

At the age of seven, Filmmaker Medhin Tewolde Serrano recounts her first experience of being called Black by a stranger on the streets of Mexico, the first time she becomes conscious of her racial identity and the prejudice that comes with it. Curious if her encounter was unique, Serano seeks out the experiences of other Black Women and tells the stories of five afro-descendant women from Mexico’s southern region, stories that expose racism, resistance through the processes of self-acceptance, strategies for transcending stereotypes, and ultimately, the celebration of identity. A discussion moderated by Sonia Alconini (Anthropology) follows.


The Offensive

Why are so many civilians angry? The Offensive looks for answers in the stories of the people who are turning away from traditional politics. Who are ‘the offensive’ who shake the European Union to its very core? Each episode of this seven-part documentary features three parallel stories from different European countries. Old fragments of the European dream of peace and prosperity are combined with more recent reports on the political climate in Europe. This seven-part documentary series urges the viewers to think for themselves in a debate that is becoming increasingly poisoned by fake news. A discussion with director Luc Lemaitre and subject Jan Antonissen, moderated by Manuela Achilles (Germanic Languages and Literatures), to follow.

(The Offensive is presented in partnership with the European Studies Program at the University of Virginia)


Serenade for Haiti

Capturing a rare look at a country scored by poverty and political strife, Serenade for Haiti recounts the resilience of the Sainte Trinité Music School community. When a catastrophic earthquake destroys the school in 2010, traumatized faculty members and students unite to find solace through the power of classical music. A discussion with director Owsley Brown and UVA's Diane Hoffman, moderated by Marlene Daut (Carter G. Woodson Institute/American Studies), follows.


The Social Network 10th Anniversary Screening

A Special 10th Anniversary screening of David Fincher’s “The Social Network” will be accompanied by a discussion of the social media giant’s impacts on our society featuring Roger McNamee, the high-profile Silicon Valley fund manager, venture capitalist, early Facebook investor and Mark Zuckerberg mentor who later wrote the book Zucked: Waking Up to the Facebook Catastrophe. A discussion with Silicon Valley fund manager Roger McNamee and noted national security expert Yael Eisenstat, moderated by Siva Vaidhyanathan (Media Studies), follows.


There is No Evil

Banned from filmmaking in Iran, director Mohammad Rasoulof returns to cinema with a moving critique of capital punishment in his home country. This brilliant anthology feature unfolds across various separate narratives detailing how four Iranians tasked with enforcing the country’s death penalty struggle with their options and grapple with the fallout of their choices. Told with compassion, this story of moral introspection is both uniquely Iranian and incredibly universal. Introduction by Pardis Minuchehr (Middle Eastern and South Asian Languages and Cultures).


You Will Die at 20

Soon after Muzamil’s birth, a traveling sheik prophecies that he will die at age 20. Muzamil’s father, distraught by the implications of the prophecy, abandons his family, leaving his wife to raise their son on her own. Despite his fate, Muzamil becomes increasingly curious about life beyond his mother’s care and is soon allowed to study the Quran with the other children his age, discovering friends, enemies, love, and temptation. This daring “coming-of-death” feature offers an examination of the passage of time marked by an intense yearning and the anticipation of loss. A discussion with director Amjad Abu Alala, moderated by Samhita Sunya (Middle Eastern and South Asian Languages and Cultures), follows.

(You Will Die at 20 Is part of the Middle Eastern & South Asian Film Series supported by UVA Arts Council and UVA Department of Middle Eastern & South Asian Languages & Cultures)