Tatiana Flores is a scholar of the visual culture of the hemispheric Americas, specializing in modern and contemporary Latin American, Caribbean and Latinx art. She is the author of the award-winning monograph Mexico’s Revolutionary Avant-Gardes: From Estridentismo to ¡30-30! (Yale University Press, 2013). Committed to public-facing work, she has been active as an independent curator for over two decades. She curated the critically acclaimed Relational Undercurrents: Contemporary Art of the Caribbean Archipelago for the Getty Foundation’s Pacific Standard Time: LA/LA initiative in 2017. A major survey exhibition described as having “seismic importance,” it featured over eighty contemporary artists with roots in the insular Caribbean. Through the framework of the archipelago, Relational Undercurrents located thematic continuities in a region that has been long been regarded as fragmented and incomprehensible.
A 2017-18 Getty Scholar, Flores received the 2016 Arts Writers book prize from the Andy Warhol Foundation and was the 2007-2008 Cisneros Visiting Scholar at the David Rockefeller Center for Latin American Studies at Harvard University. She previously served as president of the Association for the Study of the Arts of the Present (ASAP) and was chair of the editorial board of Art Journal. Flores is senior editor and founding editorial board member of ASAP/Journal. Her co-edited volume The Routledge Companion to Decolonizing Art History is forthcoming.
Through her research, teaching and service, Flores advocates on behalf of disenfranchised and marginalized communities, artists and historical actors. This fall, she will be teaching the art history colloquium “Caribbean Aesthetics.”